tag:blogger.com,1999:blog-8648268364549955959.post430340710240234159..comments2024-03-28T08:08:18.619+00:00Comments on the literate programmer: Real live musicctfordhttp://www.blogger.com/profile/05464902188219000642noreply@blogger.comBlogger3125tag:blogger.com,1999:blog-8648268364549955959.post-90081263716312613372023-08-15T14:19:01.939+01:002023-08-15T14:19:01.939+01:00kuşadası
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usak
2W5Y<a href="https://www.escorthun.com/" title="kuşadası" rel="nofollow">kuşadası</a><br /><a href="https://milas.escorthun.com/" title="milas" rel="nofollow">milas</a><br /><a href="https://cesmebayan.escorthun.com/" title="çeşme" rel="nofollow">çeşme</a><br /><a href="https://bagcilar.escorthun.com/" title="bağcılar" rel="nofollow">bağcılar</a><br /><a href="https://usak.escorthun.com/" title="usak" rel="nofollow">usak</a> <br /><br />2W5Ymahmutnoreply@blogger.comtag:blogger.com,1999:blog-8648268364549955959.post-85326954005480759822013-08-22T11:11:25.465+01:002013-08-22T11:11:25.465+01:00I think the reason is because music is fundamental...I think the reason is because music is fundamentally about activity, not end-products. The activity of listening to music is more profound when it is also part of the activity of making it.yaxuhttps://www.blogger.com/profile/15563877134268148264noreply@blogger.comtag:blogger.com,1999:blog-8648268364549955959.post-70796656125410106202013-08-22T11:05:11.649+01:002013-08-22T11:05:11.649+01:00Interesting thoughts!
I would argue that live mus...Interesting thoughts!<br /><br />I would argue that live music is an opportunity to engage in a feedback loop with a performer. One that allows influence to flow around the room. It's that ability to actually influence things which I find extremely compelling.<br /><br />Additionally, I revel in the intoxicating realisation that there is real risk involved. The performer may make a mistake, and that mistake may be noticed, but perhaps not, perhaps it takes them to a new place they hadn't intended? This thought is emphasised by considering the dead alternative of watching puppets dance to their own recorded songs "live" on a TV show. Where's the risk - where's the virtuosity?<br /><br />Actually, I think the notion of virtuosity is key in this discussion. There's no doubt to my mind that "studio" albums demonstrate an amazing virtuosity of sound production and manipulation. However, that virtuosity is surely distinct from the virtuosity of a live performer that doesn't have the luxury of weeks of time to make a precise manipulation of the sound - they have to make a decision here and now with the equipment at hand.<br /><br />I think that Overtone offers us a tear-wellingly beautiful opportunity of combining all of these things. Not only can we hand-craft our music as code via pull-requests as you wonderfully describe. We can also open up little hatches of control which we can manipulate live to re-interpret our code in front of an audience - opening ourselves up to engage in that feedback loop, to offer ourselves on the alter of risk and to demonstrate our live virtuosity.<br /><br /><br /><br />Sam Aaronhttps://www.blogger.com/profile/07718211095858116397noreply@blogger.com